Tag Archives: sculpture

Karl & Carl – Still No Response From The Void

The artist duo Karl & Carl (Karl Hedin and Björn Carl Perborg) offers a generous mix of animation, sculpture, video and photography. Bizarre and uncanny situations occur as the searchlight is directed towards human beings and their relationship to the planet, the universe, life and death.

»Still No Response From The Void« (»Ännu inget svar från tystnaden«) is the title of Karl & Carl’s sincere and surprisingly accessible exhibition. On a jumpy road from science fiction to broken hearts, the artists navigate through the wetlands of poetry in a dialogue, where misunderstandings bring about unexpected meanings and where new connections constantly appear.

– It’s important to stay close to the limits of your understanding of the existence. That’s where we try to go in all our works, Karl & Carl explains. The exhibition is a tribute to the pointless, the ridiculous, the pathetic and the ungraspable. It also pays tribute to the cosmic distances. Between people. (Before this distance was measured to 1,5 metres).

A cabinet of grief with a coffin (or is it a spaceship?), images from crematoria and a video where people queue to throw themselves off a balcony, is combined with a pulpit, where a curator recites empty phrases collected from the curatorial statements of international biennials.

Exhibition view from Galleri Box, Gothenburg, Sweden. Karl & Carl – Ännu inget svar från tystnaden 28/8–27/9, 2020.
Photo: Hendrik Zeitler
Exhibition view from Galleri Box, Gothenburg, Sweden. Karl & Carl – Ännu inget svar från tystnaden 28/8–27/9, 2020. Pulpet with curator.
Photo: Hendrik Zeitler
Exhibition view from Galleri Box, Gothenburg, Sweden. Karl & Carl – Ännu inget svar från tystnaden 28/8–27/9, 2020. Beware Of The God, Doghouse.
Photo: Hendrik Zeitler
Exhibition view from Galleri Box, Gothenburg, Sweden. Karl & Carl – Ännu inget svar från tystnaden 28/8–27/9, 2020. Basketball lamp.
Photo: Hendrik Zeitler
Exhibition view from Galleri Box, Gothenburg, Sweden. Karl & Carl – Ännu inget svar från tystnaden 28/8–27/9, 2020. Voyager II, coffin and animation cabinets.
Photo: Hendrik Zeitler
Exhibition view from Galleri Box, Gothenburg, Sweden. Karl & Carl – Ännu inget svar från tystnaden 28/8–27/9, 2020. Props, bird mask.
Photo: Hendrik Zeitler
Exhibition view from Galleri Box, Gothenburg, Sweden. Karl & Carl – Ännu inget svar från tystnaden 28/8–27/9, 2020. Handwritten note in display case.
Photo: Hendrik Zeitler

Year: 2020
Dimensions: 50 m2

Review in Omkonst by Olle Niklasson (in Swedish)
Karl & Carl discuss the exhibition in Box Pod (Podcast in Swedish)

Karl & Carl – Terminus

The artist duo Karl & Carl (Karl Hedin and Björn Carl Perborg) offers a fascinating mix of animation, sculpture, video and photography. Bizarre and uncanny situations occur as the searchlight is directed towards human beings and their relationship to the planet, the universe, life and death.

»Terminus« (»Ändhållplats«) is the title of Karl & Carl’s thought provoking and surprisingly accessible exhibition. On a jumpy road from science fiction to broken hearts, the artists navigate through the wetlands of poetry in a dialogue, where misunderstandings bring about unexpected meanings and where new connections constantly appear.

Installation view from the exhibition Karl & Carl ”Ändhållplats” at Galleri Gerlesborg, Sweden
Photo: Björn Perborg
Installation view from the exhibition Karl & Carl ”Ändhållplats” at Galleri Gerlesborg, Sweden
Photo: Björn Perborg
Installation view from the exhibition Karl & Carl ”Ändhållplats” at Galleri Gerlesborg, Sweden
Photo: Björn Perborg
Installation view from the exhibition Karl & Carl ”Ändhållplats” at Galleri Gerlesborg, Sweden
Photo: Björn Perborg
Installation view from the exhibition Karl & Carl ”Ändhållplats” at Galleri Gerlesborg, Sweden. Props, a bird mask, suspended on the wall.
Photo: Björn Perborg
Installation view from the exhibition Karl & Carl ”Ändhållplats” at Galleri Gerlesborg, Sweden. Curator in pulpit. Video installation.
Photo: Björn Perborg
Installation view from the exhibition Karl & Carl ”Ändhållplats” at Galleri Gerlesborg, Sweden. Gravestone.
Photo: Björn Perborg

Terminus may refer to the last stop of a train line or bus route. Perhaps it is a crowded railway station where you can buy yourself a newspaper and change trains. Perhaps it is a desolate non-place on the outskirts of an industrial area, where the bus, after a five minute break, turns around to serve the same route once again.

Terminus may also be used in a figurative sense, indicating the final destination of a train of thought, an ideology, a political or artistic movement, a civilisation or the life of a human being. We may for example discuss the »terminus of nihilism« or, in an obituary, mention that someone, »after a period of illness, has reached the terminus of life«.

But the end can also be a beginning. Roger Penrose, recent Nobel Prize winner in Physics, suggests that our Big Bang is just one in a row of many. In the remote future, when the universe has expanded infinitely and time has ceased to exist, we will have massless Physics. A world, dominated by massless Physics doesn’t know if it is big och small. Thus, the remote future becomes the Big Bang of a subsequent eon.

Man, half ape, half cosmic intelligence, is approaching the terminus of his own self-understanding. The current geological age, the Anthropocene, is named after himself. Wherever human beings arrive, biodiversity declines. Most of the megafauna that once dwelt on Earth was wiped out by human beings already during the Stone Age. What do you do when you discover that you are a vermin yourself?

The exhibition »Terminus« directs the searchlight towards human beings (these walking digestive systems with exceptionally high thoughts of themselves) and their relationship to the planet, the universe, life and death.

Year: 2021
Dimensions: 45 m2

Piano

Narrow piano with three white and two black keys.

Piano, narrow piano with three white and two black keys, sculpture by Björn Perborg, bird’s eya view.
Photo: Björn Perborg
Piano, narrow piano with three white and two black keys, sculpture by
Photo: Björn Perborg

Year: 2007
Technique: Wood, metal, felt, ivory
Dimensions: 26 x 49 x 116 cm (10.14 in x 19.11 in x 44.24 in)
Courtesy of the municipality of Gothenburg, Sweden

Nesting Box

The nesting box is a slightly oversized wooden nesting box with a video monitor and a speaker inside. The video monitor shows a man crying. Already from a distance you can hear the soft sound of crying that might also resemble birds’ twittering. The man cries, apparently without ever stopping – even sadder than that Dutch guy who disappeared from a sailing boat.

Nesting Box, video sculpture by Björn Perborg with crying man inside.
Photo: Björn Perborg

Year: 2012
Technique: Wood, dvd-player, lcd-screen
Dimensions: 69 x 39 x 39 cm (27,2 in x 15,4 in x 15,4 in)

Suitcase Studies

Suitcase studies is a group of suitcases, where every suitcase hosts a miniature art exhibition space, complete with light, parquet and white walls. Among the miniature exhibitions are a series of architecture documentation, documenting airport chapels – the prayer or meditation rooms that can be found in most international airports and an animation based video installation, where the video projection is simulated by small LCD screens. The exhibitions in the suitcases reflect upon phenomena like origin, nostalgia, traveling and migration.

Suitcase Studies, installation with miniature exhibitions inside suitcases. Boy watching video.
Photo: Hendrik Zeitler
Suitcase Studies, installation with miniature exhibitions inside suitcases, detail, airport chapels, photography.
Photo: Claudia del Fierro

Year: 2008
Technique: Suitcases, mdf, glass, backlit photos, lcd-screen etc.
Dimensions: Dimensions variable

Balancing The Books


Sculpture with sound from the exhibition »Death – An Exhibition about Life«, an outdoor exhibition organised by Liljevalchs in Stockholm during the summer of 2016.

Balancing The Books, sound sculpture by Björn Perborg in the shape of a Marshall stack and a grave stone.
Photo: Mattias Lindbäck

Year: 2016
Technique: Plywood, wood, vinyl, cloth, speakers, media player och electronics
Dimensions: 122 x 302 x 45 cm
Voices: Emma Jansson, Alexandra Shabo
Courtesy of Alma Löv Museum, Östra Ämtervik